The park was beautiful this morning but I’m paying for it now–the tissue box is nearly empty and my nose is sore from constant blowing. I’ve decided not to venture back out, which means today is the day I *finally* sit down and start working on my latest round of revisions. For the past month I’ve been working on three academic articles, all of which are to be published this year. One essay (on Richard Wright) was actually written while I was in graduate school in the late ’90s! I worked it into my dissertation and then recycled it again when they held the centenary conference on Wright in 2008. And now, in 2013, the essay is going to be included in an anthology on the brilliant but problematic (for me) African American author. Revising something you wrote more than ten years ago is hard, and converting a conference paper often means taking out all the conversational bits that personalized your point of view. Preparing these essays for publication reminds me why I don’t like academic writing, yet in my profession it’s a necessary evil so I’ve refrained from reminding my editors that “the personal is political.” The other two essays are on children’s literature, which also feels odd since that’s not my area of expertise, but once they’re published I will close that chapter and return to critiquing adult lit. I’m waiting on a contract for The Deep and another offer may be on the way…or not. So instead of ruminating on the possibilities I’m trying to remember what my agenda was when I first wrote these essays. I know I had a different voice in the ’90s, but was I a different person last summer? I don’t think so, but I was writing under duress after accepting a last minute invitation to contribute to a different anthology. Those editors wanted me to act like I wasn’t the author of my own books so I withdrew the essay and now have a chance to expand it for a Canadian journal. That also makes me a little uneasy, considering the cool reception I’ve received as an author in the Great White North. But nothing ventured, nothing gained, right? Back to work…
Archive for the ‘African Canadian literature’ Category
Posted in African American Literature, African Canadian literature, Canada, Canadian writers, children's literature, feminism, multicultural literature, racism in publishing, urban fantasy on April 28, 2013| Leave a Comment »
Posted in activism, African Canadian literature, Canada, Canadian writers, children's literature, creative writing, equity, interview, minority issues in publishing, multicultural literature, racism in publishing on April 21, 2013| 1 Comment »
I’m not on Twitter much but on one of my recent visits I discovered a young black woman who’s doing her best to promote diversity in the Canadian children’s publishing industry. I recently had an unproductive exchange with a book festival director in Toronto so I’m very pleased to share this interview with Léonicka Valcius.
Tell us a little bit about yourself.
I am a young black woman with fabulous hair. I have many passions: some serious (social justice, economic inequality, oppression) and some frivolous (food, fashion, entertainment). I just started my career as a publishing professional and I have two commitments: to be the authors’ advocate and to promote diversity in publishing. (These are my opinions and do not necessarily reflect those of my employer.)
As a black child growing up in Toronto, I never saw myself in Canadian books and knew nothing about opportunities in the arts. Describe your evolution from a girl who loved reading to a book blogger and publishing professional.
It was such a long, winding path. Very much a case of growing into who you were meant to be.
I am Haitian-Canadian. I was born in Montreal but grew up in Florida, and I didn’t see much of myself in books either. The sad part is I never thought to look. I have always loved historical fiction and SFF, so somewhere along the line I took it for granted that people like me were never princesses, or warriors, or explorers. It didn’t bother me at the time because I didn’t realize it was a problem. I lived and went to school in a predominately white area and was used to being the only black girl in the room. In that way, the books I read reinforced that reality. Even when I wrote my own stories they featured blond-haired protagonists.
In high school and university I practically stopped reading books for fun—I had so much school reading to do! But I stayed connected to other readers by joining FictionPress.com. Though I am not much of a writer, I had been editing for my peers for years and continued to do so online. So when I hit that point where I had to decide what to do with my life, I took a look at what I was doing with my free time. Working in publishing was just the logical extension of my passions.
It’s not exactly encouraging to hear everyone screaming “publishing is dead!” when you are in publishing school. And after being surrounded by people of color at Florida Atlantic University and then University of Toronto, returning to a predominantly white environment was jarring. But I didn’t know any of that before going in. Perhaps if I had, I would have been more reticent and assumed that “people like me” didn’t belong in the industry. My ignorance worked to my benefit in this case.
I am also incredibly blessed. I was only able to afford publishing school and six months of internships because I live with my parents. I don’t pay rent. I don’t pay for food. My parents signed for my loan and covered my transportation costs when money was super tight. For people without those luxuries, getting into publishing is especially difficult (but not impossible).
Getting my job was a combination of hard work, support from my network, and divine intervention. My job is fast-paced and sometimes stressful but I love every bit of it. And how could I not? I get to share books with kids! I work for Scholastic Book Fairs Canada. I am the Junior Product Manager for their French division, Festival du Livre. I’m essentially a book buyer and marketer rolled into one. I purchase French children’s books, which are then sold in French book fairs hosted by schools across Canada, and I promote these books and the fairs through print and web marketing.
I fell into children’s publishing by accident. In fact I distinctly remember actively avoiding it. I thought it was too specialized, too idiosyncratic and that it was not the place for a beginner like me. But of course, God’s plans were greater than mine. Even though I love children’s books personally, and I loved my visit to the Scholastic offices, I still said “probably adult fiction” when people asked what type of books I wanted to work with. Then Ali McDonald, the children’s literary agent at The Rights Factory (where I had my first internship,) took me to the Festival of Trees. I’m forever in her debt.
I still try to blog here and there but I’m not nearly consistent enough to call myself a book blogger. I just try to engage with people who love books, both online and in real life.
You seem to be connected to the US children’s literature community. Compare the diversity and activism you see in the US to that in Canada. Are the challenges and/or solutions the same?
I’m only as connected as the internet allows me to be, though I am trying to learn as much as I can. Like in many industries it is useful to watch what the US is doing in terms of kidlit in order to get a heads up on upcoming trends.
Insofar as the challenge is to increase diversity in all levels of publishing (from the characters in the books, to the writers, to the people working in the pub houses) then yes, the challenges seem the same to me.
The differences emerge in visibility. The conversations about diversity in US kidlit are easy to find on various social media platforms. In Canada it seems to be considered a non-issue, especially because Canada clings to this rosy reputation for being open and multicultural. I have initiated every conversation about diversity that I’ve had in Canada. That said, there are many groups who are quietly doing the work to fix the problem.
What would you say to a black child in Toronto who has a vague interest in leading a “literary life”?
Read! Read everything, question everything, then read some more. Use the library at your school or in your city to look for black writers who write books similar to those you already like.
And write! I’m especially fond of fanfiction because it can be a great writing exercise. You already have the foundation of a story so you can be creative. What would happen if the protagonist was black? Was a girl? Was poor? Rich? Lived in the past? Lived in the future? The possibilities really are endless.
Finally, talk to your friends about the books you read the same way you’d talk to them about a movie you saw. Sharing your ideas helps you solidify your opinions or consider another point of view.
Posted in African Canadian literature, Brooklyn, Canada, Canadian writers, creative writing, fantasy, kidlit blogs, mixed-race identity, multicultural literature, religion & spirituality, self-publishing, speculative fiction, urban fantasy, young adult novels on April 1, 2013| 3 Comments »
Kelbian Noel was born on a warm June night in Moncton, New Brunswick. From a very young age, she loved to read. She found herself engulfed in novels by Janette Oke and L.M. Montgomery, but never seemed to find herself in the pages. At the age of 11 she declared she would simply have to rewrite them and become the youngest author in history. Decades later, having studied writing in college and pursued it as a career, she rediscovered her hobby. She is excited to introduce The Witchbound Series to the world with hopes readers will love the beginning of this saga as much as she does.
Kelbian lives in Toronto, Ontario with her two children. She is the founder of Diverse Pages and blogs there often in the company of some pretty cool people.
Kelbian’s first two novels are available *now* under special pricing. On April 1, Sprung will be available for $0.99, and Roots will continue to be free until the end of the day! Visit the author’s website for more information.
Re-released on March 15, 2013, ROOTS (book one) introduces Baltimore Land, a biracial (African American and Native American) girl who, for the past two years, has lived in Utah with her Wiccan parents. She’s deeply averse to her parents’ religion and believes the only purpose Wicca serves is to make her life miserable.
After she receives a message from her twin brother, who disappeared prior to the move, she runs off to find and ultimately rescue him. But she soon discovers her exile to that small Utah town was the direct result of who she is, what she can do, and the danger it could bring to her and the lives of her family and friends. Baltimore must learn to embrace her identity in order to keep herself safe, but it may mean letting her brother go for good.
SPRUNG (book two) will be released on April 1, 2013. In Solana Beach, California we meet Skye Jackson, a seventeen-year-old girl who believes everything Baltimore never did. Ever since she was introduced to it, magic has come easily to Skye. She uses it for everything from extending her curfew to her personal GPS. But when she decides to teach a guy a lesson in order to avenge her friend, she comes to the realization that there’s a lot more to her powers than she bargained for.
In a race to fix her mistakes, Skye stumbles across a family secret which reveals a twisted destiny that may mean giving up magic forever.
SMOLDER (book three) is set for release this coming August. At least that’s my hope! Currently, there is a contest taking place on my website. Readers can take a stab at guessing the name of the next Elemental. So I won’t reveal it here, but I will tell you a little bit about Elemental #3.
She’s a Latino orphan from Brooklyn, New York. After graduating from high school, she decides to spend the summer learning more about her family. Her magical journey leads her to a historical building, a long-lost family member, and a destiny that makes her more than she ever believed she could be.
The fourth book in the series is entitled SURFACE, and takes place in Hawaii. The fourth Elemental is a bit of a know-it-all. Well versed in the girls’ destiny and purpose, she leads them to their final battle.
The fifth book is still untitled but recaps the first four stories from the point of view of Ramon, a character readers will come to know well throughout the series.
2. Tell us about your childhood in the Maritimes. How did you evolve into the writer you are today?
I fondly remember, and still visit, the tiny town of McKee’s Mills, but vaguely remember time spent in Turtle Creek, New Brunswick and then on Ben Jackson Road in Nova Scotia. One of my earliest memories is when we lived in Scot’s Bay, Nova Scotia. I can still recall that little house on the hill, with a mile long driveway, tire swing, and cows in the pasture beside it. I was four or five when we moved.
We ended up in Lockeport, Nova Scotia after that, where Dad was called to serve at the Baptist church in the middle of town. We were the only black family in Lockeport, as far as I knew. Those were some formidable years, but still filled with great memories. Our house overlooked the harbor and had a huge forest of bamboo-like plants we called Roman Sailors in the back yard. We’d go crashing through those in the summertime, playing “scouts” after hours of riding our bikes around town. It was that time (mid-eighties) and that kind of town where kids could pretty much roam free.
Memories of Lockeport are still firmly engrained in my mind: the “haunted” house just up the street, my first teacher (Ms. Nickerson), first best friends (Sarah and Gina), the beach, the waves, the smell of the salt water. Of course,those are accompanied with some less desirable ones. Like the first time I was told I was different from the other kids. My lips were bigger, my skin darker, and my parents talked funny. I was called the “N” word on the first day of school. I was five and didn’t even know what it meant.
Like most ministers’ kids, I had to learn to adjust and adapt to new surroundings very quickly. The years from age eight to fifteen were spent in rural Nova Scotia. In the small town of Morristown in the Annapolis Valley we were again the only black family around for miles. And there were still formidable experiences to be had. But, for the most part, the people in that town were accepting and I felt like I belonged. This is where I first discovered my love of writing. I spent hours in a cow pasture adjacent to our house, behind the church and right next to a graveyard. There was an oak tree in the middle of the field and I’d sit under it with a blue writing folder, loose leaf paper, and a pen.
My mother had been selling Christian books through one of those mail order companies. That’s when I discovered Janette Oke “Christian” romance novels. My sister introduced me to L.M. Montgomery. Every Anne of Green Gables book she brought home, I read too. I also read The Babysitter’s Club and R.L. Stine (my first intro to Speculative Fiction). But in all of those series, except for one (thank you for Jessi, Ann M. Martin!), there was no one who looked like me. I decided I’d just have to write those kinds of stories myself.
After we moved to Halifax, Nova Scotia, I was excited to finally be around people like me. Only after years of living like and amongst “the other half,” I didn’t fit in. I was the Black girl who acted like she was white. That was fun. But I didn’t let it get me down. I was who I was and I liked it.
My first job was in the Halifax North Memorial Public Library where my love of books was fed on a weekly basis. I couldn’t get enough. But for years I forgot about my writing endeavors until I started studying it in college. In my first year, I was introduced to the works of Octavia E. Butler (who quickly became my favorite author) and Gabriel Garcia Marquez. Still, it wasn’t until my final year during a Literary Theory class that I picked up a pen again and started writing a story, based on a dream, about werewolves in San Francisco. Since then, I’ve never stopped.
Name: Kelbian Noel
Hometown: Toronto, Ontario
Education: B.A. Professional Writing & Communications Studies
School: York University
Major: Professional Writing
Occupation: Author & Freelance Writer/Editor
Books: Kindred, Blood and Chocolate
Writers: Octavia E. Butler
Quote: “There is no greater agony than bearing an untold story inside you.” ~ Maya Angelou
Posted in activism, African Canadian literature, book festival, Canada, Canadian writers, children's literature, equity, fantasy, minority issues in publishing, multicultural literature, racism in publishing, self-publishing, speculative fiction, urban fantasy, young adult novels on March 31, 2013| 4 Comments »
It actually feels like spring here in Toronto—for once I’m not shivering through my visit, though I am wearing a hoodie I borrowed from my cousin. She’s out having Easter dinner with her in-laws so I thought I’d take a moment to blog. I’ve got way too much sugar in my system; in addition to Easter chocolate we’ve been snacking on English toffee and vintage candy from our youth, and yesterday I had the ultimate butter tart (no raisins!) at a cafe where I met African Canadian author Kelbian Noel. I’ll be posting an interview with Kelbian tomorrow to coincide with the release date of her second speculative YA novel, Sprung. Despite my sugar consumption, right now I’m feeling bitter and here’s why: Kelbian and I spent most of our time together bemoaning the difficulty of getting published while black in Canada. We also tried to develop some strategies for breaking through the color barrier, and one idea was to propose a panel to the coordinators of an established literary event. There’s an annual book festival in Toronto called Word on the Street and these are the stats they proudly share in their brochure.
- 65% Female, 34% Male
- 63% of our visitors have an annual household income of $50,000 and greater
- 28.3% of our visitors have an annual household income of $100,000 and greater
- Our visitors come from a range of age demographics (total number of visitors 215,000):
Under 17 – 18% of visitors
18-24 years – 14% of visitors
25-34 years – 20% of visitors
35-44 years – 16% of visitors
45-54 years – 13% of visitors
55+ years – 20% of visitors
- 72% of our visitors have completed college/university
- 33% of our visitors have completed postgraduate studies (This is up from 30.9% in 2011)
- 73% of our visitors are from Metropolitan Toronto
- 27% of our visitors are tourists from outside the GTA
- 80% of our visitors describe themselves as avid readers
- 85% of our visitors consider The Word On The Street a key cultural event
Now, close your eyes and imagine what this book festival looks like. A third of the visitors are middle-aged; the vast majority of visitors are college-educated and a third have advanced degrees; nearly two-thirds are middle class and one third of their visitors make more than a hundred grand a year. Kids account for a fifth of the visitors, but if they’re brought by these highly educated, wealthy adults, chances are they aren’t struggling with literacy. In case you don’t know the city of Toronto, let me share some other stats:
Toronto is one of the world’s most multicultural cities. In 2004, the United Nations Development Programme (UNDP) ranked Toronto second, behind Miami, Florida, in its list of the world’s cities with the largest percentage of foreign-born population. Miami’s foreign-born population is dominated by those of Cuban and Latin American descent, unlike Toronto’s foreign-born population, which is not dominated by any particular ethnic group.
The 2006 census indicates 46.9% of Toronto’s population is composed of visible minorities; 1,162,630 non-Whites, or 23% of Canada’s visible minority population, live in Toronto; of this, approximately 70% are of Asian ancestry. Annually, almost half of all immigrants to Canada settle in the Greater Toronto Area. In March 2005, Statistics Canada projected that the combined visible minority proportion will comprise a majority in both Toronto and Vancouver by 2012.
- 2006: 46.9% (South Asian: 12.0%, Chinese: 11.4%, Black 8.4%, Filipino 4.1%, Arab/West Asian: 2.6%, Latin American 2.6%, Southeast Asian 1.5%, Korean 1.4%, multiple 1.3%, not included elsewhere 1.0%, Japanese 0.5%)
Poverty is also on the rise in Toronto, with almost 25% of the population living hand to mouth:
Toronto’s poverty rates are higher than the provincial and national average. Overall, recent immigrants fare the worse with nearly half (46 per cent) in poverty. One in three children (under age 15) is living in poverty and 31 per cent of youths (15 to 24). Housing costs is the big driver, with almost 47 per cent of all tenants paying more than 30 per cent of their income on rent. Another 23 per cent pay an astonishing 50 per cent or more on rent.
So. Let’s revisit the stats for Word on the Street. I’ve never attended or presented at this event, but feedback from attendees seems overwhelmingly positive. Yet does this literary event accurately reflect the 21st-century city of Toronto? Are they actually achieving their objectives if their attendees represent such a small (and privileged) slice of the population? Do you think their featured authors reflect and/or are likely to appeal to people of color (who make up 50% of the city’s population)?
The Word On The Street Toronto is a non-profit organization that celebrates Canadian reading and writing, and champions literacy, primarily through a free, annual outdoor festival.
- To ensure that the people of Toronto know about the annual festival, and value it as having the best and broadest offerings within the Canadian publishing industry.
- To ensure that The Word On The Street helps Toronto become 100% literate through its effective support for literacy awareness and programs.
- To ensure that The Word On The Street Toronto is a valuable and vital event for the Canadian publishing industry and a top choice for Canadian authors, publishers and booksellers.
Right now I’m thinking it’s not worth my time to approach the organizers of this event. I may send them an email, however, and hip them to Pop Up—a nonprofit in the UK that brings literature to communities that are too often ignored by big splashy book festivals…
Posted in African American Literature, African Canadian literature, Brooklyn, children's literature, creative writing, fantasy, feminism, multicultural literature, sci-fi, speculative fiction, urban fantasy, young adult novels on February 13, 2013| 3 Comments »
Thank you, Aker @ Futuristically Ancient for tagging me! Read hers here.
Rules: Answer ten questions about your current Work In Progress on your blog. Tag five writers / bloggers and add links to their pages so we can hop along to them next.
What is the working title of your book…
The Deep. I’ve already got the cover designed in my mind and hope to collaborate with illustrator John Jennings (that’s one of his afrofuturistic images above).
Where did the idea come from for the book?
My last novel, Ship of Souls, was set to be published in February 2012 and my editor asked me to consider writing a “Kindle Single” to help promote the book. I wrote a scene in which the female teen protagonist was nearly raped and that later became the foundation for a book told from Nyla’s point of view. I always knew that I wanted to write a trilogy—three novellas about the three friends (D, Nyla, and Keem) from Ship of Souls. Before I even finished that novel, I woke up one morning and heard someone ask, “Are you sure you’re fully human?” And I knew that The Deep would be about “the gift” Nyla inherited from the mysterious mother who abandoned her as a child.
What genre does your book fall under?
That’s hard—I think in a couple of years Willow Smith could play Nyla. I don’t see enough young black men on screen to be able to cast Keem or D, but I see kids on the train everyday who could fill those roles.
What is the one-sentence synopsis of your book?
When Nyla find herself at the center of a battle between good and evil, she must learn to wield the astonishing power she inherited from the mother who abandoned her as a child.
Will your book be self-published or represented by an agency?
I’d like to keep working with Amazon Publishing. My last two novels were published by AmazonEncore but my editor has moved to a new imprint and there’s a new children’s/YA editor here in NYC whom I haven’t met yet.
How long did it take you to write the first draft of your manuscript?
I don’t have a finished draft—I’m at 32K words and expect to wrap up by 35K. I don’t really write drafts. I take notes and write bits and pieces for a few months and then I sit down and pull everything together. I went to London for Xmas and wrote two thousand words, then I returned to Brooklyn and wrote 20K words in January. I’m hoping to finish up by the end of February. I revise, of course, but the manuscript gels fairly quickly.
What other books would you compare this story to within your genre?
I don’t know if I’ve read anything like this. I guess the mother-daughter dynamic could be compared to Parable of the Talents—The Deep shares that complex issue of legacy.
Who or what inspired you to write this book?
Nyla’s a fun character—she was my favorite in Ship of Souls, though I really tried to write an appealing male protagonist. Her feistiness, the way she questions her attraction to boys, her unique history (she was raised on a military base in Germany), all made me want to feature her in another book.
What else about your book might pique the reader’s interest?
This is perhaps my most explicitly feminist novel for young readers, and I suspect some will say it’s too dark for teens. But I love to write about the way teens handle power, and I want readers to see Brooklyn in a way they’ve never seen it before.
Below are my tags of other authors:
Posted in African American Literature, African Canadian literature, Canada, Canadian writers, equity, middle grade novels, minority issues in publishing, multicultural literature, young adult novels on December 7, 2012| 22 Comments »
It’s that time of year again. Academic librarian and fellow blogger Edi Campbell predicts we’ll see a sharp drop in the number of PoC-authored books this year; Edi keeps a list of all titles by PoC authors here. This list only includes middle grade (MG) and young adult (YA) novels written by black authors and published in the US. I found only ONE black-authored YA title published in Canada in 2012, but I may have to reconsider both of my lists since Harlequin is apparently Canadian-owned and that means the Kimani-Tru titles are technically Canadian; you can find my Canadian list, such as it is, here.
If my math is correct, we’ve got just over 40 new titles (the Clubhouse Mysteries by Sharon Draper appear to be reprints). In 2011 we hit 45; you can find that list here. It’s my understanding that 3000 MG/YA titles are published in the US each year. If you spot any errors or omissions on this list, please leave a comment.
Black Boy White School by Brian F. Walker (HarperTeen)
Mesmerize by Artist Arthur (Harlequin/Kimani Tru)
The Mighty Miss Malone by Christopher Paul Curtis (Wendy A. Lamb Books)
The Book of Wonders by Jasmine Richards (HarperCollins)
Best Shot in the West: the Adventures of Nat Loveby Patricia C. McKissack, Frederick L. McKissack, and Randy Duburke (Chronicle Books)
Marnyke: Keepin’ Her Man (Juicy Central) by Shay Jackson (Saddleback)
Nishell: Holding Back (Juicy Central) by Jada Jones (Saddleback)
Stars in the Shadows: The Negro League All-Star Game of 1934 by Charles R. Smith, Jr. (Atheneum)
No Crystal Stairby Vaunda Michaux Nelson (Carolrhoda Lab)
The Clone Codes #3: the Visitor by Patricia C. McKissack, Fredrick McKissack, and Pat McKissack (Scholastic)
Beneath a Meth Moon by Jacqueline Woodson (Nancy Paulsen Books)
DJ Rising by Love Maia (Little, Brown Books for Young Readers)
On the Flip Side: A Fab Life Novel #4 by Nikki Carter (K-Teen Dafina)
Ship of Souls by Zetta Elliott (AmazonEncore)
Bad Boy by Dream Jordan (St. Martin’s Griffin)
Cali Boys: a Boyfriend Season Novelby Kelli London (K-Teen/Dafina)
The Space Mission Adventure (A Clubhouse Mystery)* by Sharon Draper, illustrated by Jesse Joshua Watson (Aladdin) *REPRINT
The Wiley Boys by Hill Harper (Harper & Wells Books for Young Readers)
All the Right Stuff by Walter Dean Myers (Amistad)
The Chaos by Nalo Hopkinson (Margaret K. McElderry Books)
Creeping with the Enemy: A Langdon Prep Novel #2 by Kimberly Reid (Dafina)
37 Things I Love (In No Particular Order) by Kekla Magoon (Henry Holt)
Burning Emerald: The Cambion Chronicles #2 by Jaime Reed (K-Teen/Dafina)
Happy Families by Tanita Davis (Knopf Books for Young Readers)
Download Drama by Celeste O. Norfleet (Kimani Tru)
Always Upbeat: Cheer Drama/All That: Baller Swag by Stephanie Perry Moore (Saddleback)
Lone Bean by Chudney Ross (Amistad)
Dork Diaries 4: Tales from a Not-So-Graceful Ice Princess by Rachel Renee Russell (Aladdin)
Keep Jumping: Cheer Drama/No Hating: Baller Swag by Stephanie Perry Moore (Saddleback)
The Backyard Animal Show (Clubhouse Mysteries)* by Sharon M. Draper, illustrated by Jesse Joshua Watson (Aladdin) *REPRINT
Back to Me by Earl Sewell (Kimani Tru)
No Boyz Allowed by Ni-Ni Simone (Dafina Books)
End Zone by Tiki & Ronde Barber (Simon & Schuster/Paula Wiseman Books)
A Certain October by Angela Johnson (Simon & Schuster)
Fire in the Streets by Kekla Magoon (Aladdin)
Yell Out: Cheer Drama/Do You: Baller Swag by Stephanie Perry Moore (Saddleback)
The Cruisers 3: a Star Is Born by Walter Dean Myers (Scholastic)
Charly’s Epic Fiascos by Kelli London (Dafina)
Denim Diaries #6: Lying to Live by Darrian Lee (Urban Books)
Stars and Sparks on Stage (Clubhouse Mysteries)* by Sharon M. Draper, illustrated by Jesse Joshua Watson (Aladdin) *REPRINT
Settle Down: Cheer Drama/Be Real: Baller Swag by Stephanie Perry Moore (Saddleback)
Kiki Doin’ It (Juicy Central) by Ayshia Monroe (Saddleback)
Marnyke: the Fake Date (Juicy Central) by Ayshia Monroe (Saddleback)
Tia: Diva (Juicy Central) by Ayshia Monroe (Saddleback)
Sherise: Stalked (Juicy Central) by Ayshia Monroe (Saddleback)
Nishell: Tempted (Juicy Central) by Ayshia Monroe (Saddleback)
The Diary of B.B. Bright by Alice Randall and Caroline Randall Williams (Turner)
Hollywood High by Ni-Ni Simone and Amir Abrams (Kensington)
Dork Diaries 5: Tales from a Not-So-Smart Miss Know-It-All by Rachel Renee Russell (Aladdin)
Pinned by Sharon Flake (Scholastic)
Time to Shine by Nikki Carter (Dafina)
Crazy Love by Amir Abrams (Dafina)
Fading Amber: The Cambion Chronicles #3 by Jaime Reed (K-Teen/Dafina)
Posted in African Canadian literature, Canada, Canadian writers, children's literature, historical fiction, middle grade novels, minority issues in publishing, multicultural literature, slavery, speculative fiction on September 13, 2012| Leave a Comment »
The Beacon of Freedom Award is presented annually to a book that introduces American history, from Colonial times through the Civil War, to children in a historically-accurate and engaging manner.
WRL is proud to welcome Afua Cooper, the 2012 recipient of the Beacon of Freedom Award. Ms. Cooper will accept the award at Friday, October 12 at 7 p.m. in the Williamsburg Library Theatre. A book sale and signing will follow.
I just taught June Jordan’s essay on Phillis Wheatley yesterday, and am proud to see an African Canadian author winning recognition for her work. Jordan’s essay considers the lasting power of white authentication, calling it a “miracle” that black authors manage to get their work published when so many literary conventions work against us…
So I booked my flat in London for Christmas but I’m once again thinking of visiting Germany. Nyla grew up on a US military base in Germany and I really need to go over there to do some research. It helps that my novels have been selling well in Germany; Ship of Souls was Amazon.de’s Daily Deal yesterday and now that the deal is over, the book is *still* in the Top 100 on the Kindle Store (peaking at #14)! Wish also got a 5-star review, which I’m hoping to translate this morning…Danke, German readers, for giving my work a chance! (ETA I *just* got a query email from an agent in Germany!)